The fifth issue of 2000AD: The
Ultimate Collection features the frankly mind-bending Nemesis the Warlock. When people talk about the subversive side of 2000AD, it’s this truly bizarre story
that quickly springs to mind. Pat Mills’s future version of an earth where quasi-religious
fanatic Torquemada demands the annihilation of all aliens (or ‘deviants’ as he
calls them) is brought to life by Kevin O’Neill’s startlingly grotesque,
Bosch-like visuals in which clothes and buildings have a medieval/sado-masochistic
look and everything appears to be alive.
It’s a strip that pulsates with anger,
the work of two former Catholic schoolboys gleefully giving the finger to rigid
authoritarian figures and dogma of all kinds. It’s somewhat hard to believe
that this stuff was first published in the early-1980s, in a weekly comic aimed
at pre-teens, one that shared the same stable as Tiger and Roy of the Rovers
but, as managing editors from the time have since explained, it would have been
foolish to tamper with a winning formula. And at that point, 2000AD had become a huge success with a
significant readership among teenagers and college students.
The titular character is the leader of an alien
resistance force dedicating to alleviating the lot of those suffering under the
yoke of the intolerant humans of Termight. The joy of the tale is in how
readers’ expectations are confounded as the frequently hideous aliens are
presented as sympathetic victims of the Klan-like human mob. Kevin O’Neill’s artwork is sometimes so
surreally detailed and deliberately unpleasant, it can be hard to look at but there
are many unforgettable images here such as Nemesis’s Great Uncle Baal’s study
with its fantastic collection of oddities including a chair made from a human
skeleton, the joust between armour-clad female warlocks and the dizzying chase through
the travel tube.
One of the most overtly political strips ever to
appear in 2000AD, with its extreme
depiction of what fear of ‘the other’ can drive people to do, Nemesis the Warlock remains as relevant
as on its first appearance.
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